Earlier this summer, on the lot of Citi Field, in Queens, a familiar scene was unfolding. Shifty-eyed men were plying their trade (“doses and rolls, doses and rolls”), halter-topped women were selling edibles out of wicker baskets, Hare Krishnas were proffering vegetarian burritos, and grizzled men were tailgating with their wives and young children. It was an hour before a concert by Dead & Company, and this was “Shakedown Street,” the unauthorized open-air market that has become as much a part of the Grateful Dead experience as the trading of bootleg concert tapes. The Grateful Dead was always known for its eclectic fan base, and its crowd has, if anything, diversified since 2015, when most of the band’s remaining members formed a spin-off group with the musician John Mayer. In the last three years, a new breed of Dead follower has emerged, who, perhaps inspired by Mayer’s own style, is most easily identified by his combining of tie-dye with stylish streetwear. For this fan, Dead & Company, and the scene that has sprouted around it, has come to represent rebellion and its material accoutrements. Read more at The New Yorker.