Hypernormalisation And The Cult Of Prada
There are few fashion designers who command the same level of cultish fandom that Mrs Prada achieves; so pronounced is her influence that whatever she sends down her runway visibly ripples throughout the industry. Case in point: last season, we saw her models strapped with plastic buckles and backpacks; this season, hiking ephemera has been visible in abundance on everybody else’s runways. For A/W17, in lieu of such overt utilitarianism, there was a return to nature: Mrs Prada proclaimed “a desire for reality, humanity and simplicity”. So, there were fur coats and fluffy moccasins, talismanic pendants and cosy jumpers, which, when positioned against the tense clinking overlaid upon classical music, all felt a little bit Manson Family or Father Yod – strange little sects of supposedly spiritual, liberal ideals that translated into terror. “We were talking about the stories of the 70s… and then came the idea of Wendy Carlos and A Clockwork Orange,” explained Frédéric Sanchez, the composer behind the soundtracks for Prada’s shows. “In the world we live today there is something quite frightening… beautiful, but terrifying.” Read more at Another.
